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Back Hawk V‑Lite Anamorphics The unique squeezing factor of makes it possible to use nearly the entire sensor area of a 169 digital camera to achieve the popular widescreen 1 release format. This means maximum image quality combined with a very pleasant emotional effect and gives filmmakers a valuable new tool. Technical Data Hawk V-Lite Anamorphics SQUEEZE Technical specifications are subject to change without notice. Downloads Downloads Hawk V-Lite Anamorphic Lenses Hawk V-Lite Anamorphic Lenses PDF Downloads Hawk V-Plus/V-Lite Technical Data Hawk V-Plus/V-Lite Technical Data PDF
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The unique squeeze factor of makes it possible to use nearly the entire sensor area of a 169 digital camera to achieve the popular widescreen release format. This means maximum image quality combined with a very pleasant emotional effect. Furthermore, the lenses combined with a 43 sensor stretch the image to for 169 TV release. distinctive anamorphic look high contrast, gentle squeeze small and lightweight
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Hawk V‑Lite 2x anamorphic lenses deliver the unique look and reliability of Hawk anamorphic glass in a smaller package. The combination of their optical characteristics, robustness, user-friendliness, range of focal lengths and surprisingly small size – smaller than many commonly used spherical primes – has made them popular worldwide. Add to kit list Hawk V-Lite 2x Anamorphic professional cine lenses deliver the unique look and reliability of Hawk Anamorphic glass in a smaller package. The combination of their optical characteristics, robustness, user-friendliness, range of focal lengths and surprisingly small size –smaller than many commonly used spherical primes – has made them popular worldwide. Such a combination begins with a new design from the ground up, with a sharp eye on the factors that contribute to lens size – an important consideration for cinematographers in the field. Introduced ten years ago, the V-Lites have set the industry standard. With low distortion and increased definition across the entire image, V-Lites match other Hawk Anamorphics perfectly. High contrastSmall and lightweight Hawk V-Plus 35mm Anamorphic - cf 2ft6"Hawk V-Plus 50mm Anamorphic - cf 2ftHawk V-Plus 65mm Anamorphic T3 - cf 1ft2"Hawk V-Plus 75mm Anamorphic - cf 2ftHawk V-Plus 100mm Anamorphic - cf 3ft3"Flight Case Hire the Set of Hawk V-Lite Anamorphic Primes from Procam Take service and rental rates for the Set of Hawk V-Lite Anamorphic Primes and all cameras, lenses, sound, lighting and grip.
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The versatile Hawk V‑Lite lenses either use the full 169 sensor area for wide-screen release or the entire 43 sensor for 169 television. The Vintage’74 version has certain gentle aberrations and other characteristics that might be considered flaws by others but are welcomed storytelling tools for cinematographers as they seek to transport audiences to virtual worlds. distinctive anamorphic look reduced contrast, enhanced flares, gentle squeeze very pleasant skin tones small and lightweight macro 55 mm
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Since its mainstream introduction in the 1950s with CinemaScope, anamorphic cinematography has captured the imaginations of filmmakers and audiences alike. The cinematic width, the oval bokeh, and the characteristic flaring all add up to a unique and distinctive Rental offers a range of modern and vintage anamorphic lens options, covering different squeeze ratios and delivering different looks. Among them are our own exclusive ALFA lenses, which are designed for large format. Anamorphic lens lists ARRI Rental ALFA - T340 / 47 / 60 / 72 / 90 / 108 / 145 / 190 mm FFA Scorpio Zoom 2x Anamorphic 138-405 mm ARRI/Zeiss Master Anamorphic / 35 / 40 / 50 / 60 / 75 / 100 / 135 / 180 mmAtlas Orion T232 / 40 / 50 / 65 / 80 / 100 mmCanon Xtal Express - / 30 / 35 / 50 / 85 mm includes doubler for 50 mmCineovision - / 35 / 40 / 50 / 85 / 100 / 135 / 200 mmCooke Anamorphic/i - / 32 / 40 / 50 / 65 / 75 / 100 / 135 / 180 mm Cooke Xtal Express - / 50 / 75 / 100 / 200 mmHawk C-Series - T325 / 40 / 50 / 60 / 75 / 100 mmHawk V-Lite - T335 / 45 / 55 / 80 / 110 mmHawk V-Plus - / 40 / 50 / 65 / 75 / 100 / 120 mmHawk V-Series - T330 / 35 / 40 / 50 / 60 / 75 / 100 / 135 / 180 / 250 mmKowa Mirrorscope - / 50 / 75 / 100 mm includes 30 mm wide-angle adapterLomo Anamorphic - / 50 / 75 / 100 / 150 mmToyo Eiki - / 50 / 100 / 203 mmZeiss Cinema Speedstar T235 / 50 / 85 mm Angenieux anamorphic zooms30-72 mm T4 / 44-440 mm and A2S / 48-580 mm / 56-152 mm T4 / 50-500 mm Ultra-Wide Anamorphic Zoom 19-36 mm K-35 25-120 mm macro Cooke anamorphic zooms28-140 mm / 36-200 mm / 40-200 mm / 50-500 mm / 50-500 mm Ultrascope 76-300 mm Diverse anamorphic optics Modern options ARRI/Zeiss, Cooke, Hawk Vintage options Cineovision, Xtal, Kowa, Lomo Get in touch Find out more about our anamorphics... In your own words Cinematographer Robert Yeoman ASC "Mamma Mia! Here We Go Again" I always felt anamorphic lenses have almost a magical quality to them. Cinematographer John Conroy "The Happy Prince" Master Anamorphics are wonderful on the skin; they're sharp but not too sharp and they have a really nice creaminess to them. Here's what's been happening...
Therugged L3 Hawkeye III Lite is a 1.2M Multi-Band (X, Ku, Ka) VSAT terminal that's ideal for Government and Military users who require a cost effective and lightweight ARSTRAT certified communications solution. +1 (321) 676-5250 Toll Free Sales & Support: +1-855-DIGISAT. My Cart HAWK-1.2M. Qty. Add to Cart. PDF Data Sheet. Request a Quote.
Hawk V‑Lite 2x anamorphic lenses deliver the unique look and reliability of Hawk anamorphic glass in a smaller package. The combination of their optical characteristics, robustness, user-friendliness, range of focal lengths and surprisingly small size – smaller than many commonly used spherical primes – has made them popular worldwide. high contrast small and lightweight macro 55 mm state of the art for 12 years
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